Andrew Barth Feldman, the rising star from Long Island, is set to captivate audiences in London with his portrayal of the enigmatic Roman Emperor Nero in the upcoming musical 'NERO'. This highly anticipated production, set to open at the Southwark Playhouse in November, promises to offer a fresh perspective on one of history's most notorious figures. Feldman's journey to this point is a testament to his talent and determination, as he continues to make his mark in the world of theatre.
Feldman's career began to soar when he was just 16, landing the lead role in 'Dear Evan Hansen' on Broadway. His performance as Frank Abagnale Jr. in a high school production of 'Catch Me If You Can' at Lawrence Woodmere Academy not only earned him the National High School Musical Theatre Award but also caught the eye of Stacey Mindich, the lead producer of 'Dear Evan Hansen'. This led to a pivotal moment in his career when he was asked to audition for the lead role in the Broadway hit itself.
Since then, Feldman has been on a remarkable journey. He has worked on Actor's Fund fundraisers during the challenging times of the COVID-19 pandemic, attended Harvard University, released his first single titled 'Every Pretty Girl', and even replaced Tony Award winner Darren Criss as Oliver in the musical 'Maybe Happy Ending'. Now, with 'NERO', he is set to bring a new dimension to the character of Nero, exploring his complexities as an artist, a performer, and a reluctant heir to a tyrannical empire.
The musical, with book and lyrics by Tony Award winner Steven Sater and music by fellow Tony Award winner Duncan Sheik, is directed by Lindsay Posner. It is described as a thrilling reimagining of Nero's story for a modern age, delving into the intersection of ambition, family, love, and political intrigue. The playhouse where it will be performed, the Southwark Playhouse, is a renowned venue known for its support of emerging artists and its contribution to the London fringe scene.
Feldman's casting as the sole actor in this production is a significant step in his career, and it highlights his versatility and ability to take on diverse roles. As he steps into the shoes of Nero, audiences can expect a captivating performance that will not only entertain but also provoke thought and discussion about the complexities of power, identity, and the consequences of ambition.
In my opinion, Feldman's portrayal of Nero is a must-see. It is a testament to his talent and a rare opportunity to witness a fresh and modern interpretation of a historical figure. As an artist and performer himself, Feldman brings a unique perspective to the role, and I am eager to see how he will bring this infamous Roman emperor to life on the London stage.
